
Wednesday, January 07, 2009
The sin of Ham

What father fixed for supper...
Tuesday, January 06, 2009
Catholic of the year awards.
Monday, January 05, 2009
Mrs. Rabitowitz
Philip Seymour Hoffman's Fr. Flynn
.
The film "Doubt" does not tell us if Sr. Aloysius, played by Meryl Streep, went to diocesan authorities with her suspicions concerning the priest's relationship with an altar boy. Although we assume she did not, since she mentions to Sr. James that the Monsignor of the parish wouldn't believe her anyway - hinting at the ol' boys club thing, thus she confronted Fr. Flynn herself. Yet since Fr. Flynn's direct superiors may not have been aware of the accusations against him, it would appear there was no cover-up regarding his transfer and appointment as pastor in a different parish. (Historically we know such matters were covered up and men were transferred around.) Nevertheless, Sr. Aloysius seemed affected by the irony of it all. She got rid of Fr. Flynn, he in turn was rewarded with a parish - where he could be in charge. (In those days the pastor of a parish could sometimes be likened to a feudal lord.)
.
Assuming something really was wrong with Fr. Flynn, that he was indeed a pederast - someone who involves himself sexually with adolescent boys - and that he may have had a history of inappropriate relationships with boys, something the former pastor would not have spoken of if Sr. Aloysius would have asked him - although a nun at the former parish would, we understand the ever so subtle statement the film makes about that ol' boys club protection society. Since we have all lived through the shock of the sex scandal and cover-up in the Church, as well as the economic crises it fomented in various dioceses, Catholics in the United States cannot be surprised about that. (Although Mirimax should be congratulated for not exploiting it.)
.
Doing everything right.
.
There is a short scene where Flynn is at dinner in the rectory with the pastor and another assistant. The monsignor has a tall drink and is smoking a cigar, and he appears to be thoroughly entertained by Fr. Flynn - there seems to be a great camaraderie amongst the three men. They are just regular guys, living and working together; they smoke, they drink, they guffaw - they're just guys who happen to be priests. That was important back then, and to some extent, remains so today I think. Though they wore a cassock, prayed the office, said a Latin Mass (quickly), and fulfilled their priestly duties - it was important not to appear too holy or rigid in those days. Make 'em laugh.
.
Although some Catholic clergy may have complained of a cultural anti-clericalism at the time, I believe it was never so pronounced as was the secularism that was admitted into seminaries and priestly life. For the most part, Catholics and non-Catholics alike seemed to be impressed with Roman Catholic clerics and habited nuns. Especially with Cardinals Cushing and Spellman, and Bishop Sheen featured in the news and on TV in their brightly colored cappas, and so on. A priest walking down the street in his clerical clothing always got a nod and some sign of respect from passers-by. (So did nuns for that matter.)
.
Going my way priests.
.
Priests like Fr. Flynn performed their duties faithfully of course, although I think it was becoming increasingly important for secular clergy at the time to be perceived as the regular guy - Bing Crosby's Fr. O'Malley. Wearing sweatshirts, playing sports, rough-housing, teasing, joking, and so on. Outward piety and devotion outside of Mass wasn't always evident or desired. (Nuns playing baseball were hot too - I think June Allyson played one.)
.
Back to "Doubt".
.
I digress however. Maybe I'm over thinking the film, but all of the above is what I gleaned from that short scene in the rectory, as well as Sr. Aloysius' surprise Fr. Flynn became a pastor elsewhere. Flynn came off as one of the guys - guys could never admit anything like pederasty or homosexuality - that was unheard of. No member of the laity could ever believe it, much less a nun. Unless of course you were Sr. Aloysius; a practical nun, a mature nun, a woman of experience, a spiritually dried up old bag who could see through all the lace and satin, smoke and bells, titles and honors. She knew about the ol' boys club. Certainly not everyone in the hierarchy or priesthood was like that - she knew it and I know it - but there were those who were.
.
They often appeared to be the most normal, most integrated personality of the bunch. Often academically brilliant, good humored, gregarious - attractive personalities, and solidly Catholic, albeit not at all rigid. Of course many evolved to be more progressive, but not all - which is the tricky part. Some did all the right things spiritually - perhaps even appearing more pious or devout, whatever the case - they were masters at the art of deception, perhaps even deceiving themselves that what they did was loving and compassionate, but not at all evil. I think Fr. Flynn said something about that when he was speaking with Sr. Aloysius - he emphasized the importance of love and compassion in dealing with people.
.
Love and compassion frequently covers a multitude of sins.
Sunday, January 04, 2009
Spiritual direction and deception... some thoughts.
God told me...Saturday, January 03, 2009
Sorry I'm late with these.

Eat dung...
.
For the most part, the only thing most Catholic defenders knew about the painting is what media reported... And all they needed to hear was an image of Mary was covered in elephant-dung - then it hit the fan. Everyone went ballistic, even the pro-abortion Catholic mayor registered his protest - No doubt with an eye to the Catholic vote down the road.
.
Our Lady, Protectress of the Poor and Starving, pray for us.
Friday, January 02, 2009
Lagerfeld lets the fur fly.

"It was too rotten anyway, so it had to be cleaned up," he said. - Telegraph
.
Someone needs a makeover.
Doubt

I finally saw the film yesterday. I have to admit I found it rather tedious to sit through for the first half - the story only picks up steam as we become more involved in the crux of the matter: Is the priest a pederast or is he simply a progressive, compassionate associate-pastor whose responsibility happens to be the altar boys and the parochial school attached to the parish? To be sure, both Philip Seymour Hoffman and Meryl Streep play their roles beautifully.
.
In fact, Streep's Sr. Aloysius is so good, on first take, her apparent lack of empathy makes her entirely uninteresting, albeit the plot seeks to demonstrate the mean nun syndrome through her character. It rings true, don't get me wrong. However, watch her closely; as superior of the community, she discreetly reveals genuine charity and concern for the women under her charge - that sort of sensibility is often an indication of sanctity in the common life. On the other hand, I'm convinced Aloysius' preference for no nonsense, severe discipline as regards students was simply the way things were done in those days - not just in parochial schools either. Public schools could be just as severe - slaps and punches, slams up against lockers, or paddles in gym, not withholding. (I attended both private and public schools - so I know.) Sr. Aloysius was tough, and though it sounds sentimental - an emotion she evidently had little tolerance for - she really cared for the school children, although she knew from experience how manipulative students could be.
.
I think to really understand Sr. Aloysius, one should recall Sr. Vauzou from "The Song of Bernadette" - without giving away the ending - the viewer will thus understand Streep's character - not confusing her final confession with the conclusion non-religious people might assume regarding the issue of doubt.
.
At first the film is deceptive in its portrayal of a type of religious monotony frequently associated with conservative Catholicism - which may account for my initial boredom - although I found that the story, along with the superb acting, continued to captivate my imagination hours after viewing it. In my opinion, the film does a fair job in capturing the mood of the Catholic Church in America at the time. But since I was rather bored in the beginning, I occupied myself with picking out styling mistakes - a few of which I couldn't wait to comment on.
.
For instance, Hoffman's Fr. Flynn wears vestments that probably were not around at the time - too modern - but even if they had been around - the stole would never have been worn on the outside. In addition, Fr. Flynn's alb was definitely a modern alb - I doubt it was even available back then. He also uses a modern breviary - you can see he has the contemporary Liturgy of the Hours - something that did not exist at the time. Also, I doubt the tabernacle in the church would not have been veiled in the manner shown - with some odd handkerchief thing laying over the top. It would have been veiled in liturgical colors to match the priests vestments.
.
Then we watch Sr. Aloysius slapping kids on the back of the head at Sunday Mass. Nuns did do that - but only at school Masses - the daily Mass before classes began. Sundays the kids would have been with their family and the nuns would be up front in the first pew, sitting together as a community. That stuff never happened at Sunday Mass unless a fervent parishioner took it upon herself to correct stray children misbehaving. Another detail I found interesting is when Aloysius makes a subtle complaint about how cumbersome the habits were. Not more than a year or two later, the sisters were out of the traditional habit and into skirts and blouses. But who could fault them for that, the Seton habits were farmer-in-the-dell ugly.
.
As for the school culture, in one scene the girls and boys are shown dancing together during music class in the auditorium. The song was Eydie Gorme singing, "Blame it on the Bossa Nova". That would never have happened in Sr. Aloyisius' school - they may have danced the Virginia Reel - but never the Bossa Nova - the "dance of love". Although the song did offer a momentary break in the somber tone of the film - for a moment.
.
All in all, the film is fairly accurate as regards Catholic culture of the time, and it never impressed me as being the least bit anti-Catholic, as some people feared. Critics have suggested the ending leaves the viewer in doubt - not so much. I know what happened - most Catholics will too.
Thursday, January 01, 2009
Rudi and Peggy
......
What I did for New Years Eve.




